Daryl Hine at SGWU, 1967

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Daryl Hine reads from The Carnal and the Crane (McGill Poetry Series by Contact Press,1957), The Devil’s Picture Book (Abelard, 1960), The Wooden Horse (Atheneum, 1965).

Introducer - female


I first met Daryl Hine about six years ago in New York, where he was living in the midst of a colony of cockroaches, and on that occasion, he drank me under the table with more ease and urbanity than anybody that's been able to manage since, which is actually a literary comment on the way he writes poetry.  It's a pleasure to welcome him back to Montreal, while attending the 'other' university here; before that he lived in Vancouver, where he was born in 1936, and where he began writing poetry at the age of twelve, and publishing it in such magazines as Northern Review and Contemporary Verse at the age of fifteen.  His first book, Five Poems, was published when he was eighteen, and his next, The Carnal and the Crane, established him as an important poet at age 21, when most poets are still cutting their poetic teeth.  Since then, his career, like his poetry, has been international, rather than national.  After becoming a college dropout, he traveled widely in Europe and then in the United States, producing en route four other books, The Devil's Picture Book and The Wooden Horse, both of which are poetry, The Prince of Darkness, a novel, and a travel book called Polish Subtitles.  He is currently awaiting the publication of his next book of poetry, to be called Minutes, while teaching in the English department at the University of Chicago.  He says that his plans for the future are vague, but he assures me that they include the evasion of Toronto.  Ladies and gentlemen, Daryl Hine.






Daryl Hine


I thought I'd begin by reading some poems that I wrote when I lived in Montreal...if I can find some fuel.  Poems that are in my second book, which I tend to think of as my first book, The Carnal and the Crane.I'll read the third and fourth of four fabulary satires.




Reads “Four Fabulary Satires” part III, first line "Bee, at the end of your famous garden, admonished"  [INDEX: garden, nature, bee, poppy, hollyhock, time, rhetoric, language, orator, grasshopper, ant, grammar]


Daryl Hine


And the fourth satire:




Reads “Four Fabulary Satires” Part IV,  first line "The fox and crow, their dirty business finished..."  [INDEX: nature, fox, crow, trees, art, empire, dialogue, animals, fable]


Daryl Hine


The other poem that I'll read from The Carnal and the Crane is a one-sided dialogue called "A Bewilderment at the Entrance of the Fat Boy into Eden."  It's in four fairly distinct parts.  They're more distinct than the ordinary stanzas in a poem.




Reads "A Bewilderment at the Entrance of the Fat Boy into Eden"  [INDEX: boy, demons, paradise, money, angel, sleep, art, Hamlet, duality]


Daryl Hine


A number of the poems in my next book, The Devil's Picture Book, were also written in Montreal, although the book was published about two years after I left Montreal and went to Europe.  I'm going to read one of the longest poems in this book, which is called "The Double-goer."




Reads "The Double-goer" [INDEX:  lyric, error, crime, art, heart, half, double, heaven, earth, duality, day, single, sleeper, dream, sublime, careless]


Daryl Hine


Immediately following that poem in The Devil's Picture Book, which I feel is very accurately titled, immediately after that poem is another much shorter, and...perhaps not really simpler poem on the same subject, the subject which seemed to preoccupy me a great deal at the time and I'm glad to say no longer does.  This poem is a villanelle, and it's called "The Black Swan."




Reads "The Black Swan"  [INDEX: nature, air, water, swan, villanelle, dark, guilt, lover, fair, duality]


Daryl Hine


There's a...poem in The Wooden Horse that deals also, perhaps, I think, with the same subject, but in a different way, and at a different stage.  It's called "The Ouija Board."  It may be that some of you don't know what an ouija board is, in any case, this one wasn't a real ouija board.  We made it up using a teacup, an inverted, as I remember, cracked, willow-patterned teacup, on a round circular table top.  Four of us operated this by placing a single finger each on the teacup, and we cut out letters of the alphabet and placed them around the table.  I did this in company with a friend of mine who's done it for many years, and has developed such perfect communication with the other side that instead of getting the usual scrambled answers that people get in these attempted communications, he gets extremely long, involved, and very literate answers, rather in the style of his own prose writing....[laughter] which all purport, or most of them purport to come from a Greek or Roman character called, in this poem Io, he's actually called Ephraim, although perhaps I shouldn't mention it.  Anyway, this is about a session with the teacup.




Reads “The Ouija Board”  [INDEX: ouija board, voices, spirit, questions, answers, dialogue, glass, grave, death, other side, other world, love]


Daryl Hine


Perhaps as an alternative to all of this tinkering with the other side, I'll read a poem that is, most of it, very much about this side, called "Bluebeard's Wife."




Reads "Bluebeard's Wife"  [INDEX: Bluebeard, myth, fairy tale, wife, objects, summer, nature, air, alone, artifice, rooms]


Daryl Hine


The last poem I'll read from The Wooden Horse is the last poem in The Wooden Horse, and I beg your indulgence, as it's a trifle long.  It's called "The Wave."




Reads "The Wave"  [INDEX: day, Sunday, sea, tide, beach, write, event, documentation, earthquake, death, flood, God]


Daryl Hine


Four years ago I came back to Montreal on my first visit since I left rather quietly in 1958, and spent the next year after this return visit, which was very pleasant, although very brief, struggling with a poem which I think perhaps is still not quite finished, but I think will go either in this form or some other form into the next book.  It's a poem, of course, about the impossibility of writing an autobiographical poem.  And it's called "The Apology."




Reads "The Apology"  [INDEX: apology, time machine, woman, school, poem, machine, mechanical, reader, verse, silence, experience, meaning, poet]


Daryl Hine


Well, I've returned to other places than Montreal [laughter], and two summers ago I went back just for the summer to Paris, where I lived for something more than, between three and four years, and I didn't like it very much.  And these are two poems from a series that I wrote about not liking it.  This one is called "The Marche aux Puces and the Jardin des Plantes"--the Marche aux Puces is of course the flea market, and the Jardin des Plantes is the botanical and zoological gardens, where I spent, in one place or other I spent most of my afternoons, that rather boring summer in Paris.  Having the habit of working in the morning.




Reads "The Marche aux Puces and the Jardin des Plantes"  [INDEX: art, beauty, zoo, flea market, metro, cities, Paris]


Daryl Hine


Well, I think perhaps I'll read three of these [inaudible.]..The next one will seem familiar to, I'm sure, many of you.  I haven't quite decided on a title, it might be called "Jardin des Gourmets," or it might be called "Rendez-vous des routiers" or something like that, it's about a certain sort of French restaurant.




Reads first line "The price is fixed..." [INDEX: restaurant, food, soup, menu, bread, sacrament, Last Supper, remembrance]


Daryl Hine


And this poem isn't quite as funny, not that I really thought the last one was, but this one is really about Henry James' novel, The Ambassadors.  It's also, of course, about being in any town in the off season, in this case, Paris, and of course, Paris in August is emptier than anywhere I've ever been.  But, I imagine that other places in their off seasons are the same.  It's called "Clôture annuelle."




Reads "Clôture annuelle"  [INDEX: cities, Paris, August, emptiness, solitude, weather, summer, winter, stranger, life]


Daryl Hine


I also, this year, or was it last, returned to my place of origin, British Columbia.  A [inaudible] which will be familiar to some of you as the site of the University of British Columbia, I don't mean the University by any of the architectural things I mention in this poem, but I'm talking about the beach, a very beautiful, barren Pacific beach that lies below Point Grey.




Begins "Brought up as I was to judge the weather..."


Daryl Hine


Well...[shuffles paper]  I'll read another version, I think.  Excuse me.




Reads first line "Brought up as I was to ask of the weather..." [INDEX: cities, Vancouver, beach, water, mountains, rain, weather, concrete, guilt, waves, beauty]




Reads first line "Antaeus, when once separated from the ground..."  [INDEX: myth, Antaeus, Hercules, gravity, love, suffering]


Daryl Hine


The last poem I'll read, if I can find it...it is called..."The Trout."




Reads "The Trout"  [INDEX: water, fish, prison, reality, music, cycles, death, pattern, paradise]




Applause concludes the reading.


Announcer - male


I want to thank Mr. Hine and also announce that the next reading is on January 26th, by the American poet John Logan.






Works Cited

Gilbert, Roger. "Hine, Daryl". The Oxford Companion to Twentieth-Century Poetry in English. Ian Hamilton (ed). Oxford University Press, 1996. Oxford Reference Online. Concordia University Library, Montreal. December 23, 2009. <http://0www.oxfordreference.com.mercury.concordia.ca/views/ENTRY.html?subview=Main&entry=t58.e504>.

Hines, Daryl. Mintues. New York: Atheneum, 1968.

---. The Carnal and the Crane. Montreal: McGill Poetry Series, 1957.

---. The Devil Picture Book. Toronto: Abelard-Schuman, 1960.

---. The Wooden Horse. New York: Atheneum, 1965.

Sullivan, Rosemary. "Hine, Daryl". The Oxford Companion to Canadian Literature. Eugene Benson and William Toye (eds). Oxford University Press 2001. Oxford Reference Online. Concordia University Library, Montreal.  December 23,  2009. <http://0www.oxfordreference.com.mercury.concordia.ca/views/ENTRY.htmlsubview=Main&entry=t201.e701>.

“Daryl Hine (1936-)”. The Poetry Foundation Website. Poetryfoundation.org, 2009. December 23, 2009. <http://www.poetryfoundation.org/archive/poet.html?id=3167>.

“Poetry: From the Archive”. Poetry Magazine Website. Poetrymagazine.org. December 23, 2009.             <http://www.poetrymagazine.org/webexclusive/fromthearchive.hine.html#>.

“Poetry Readings”. OP-ED. [Sir George Williams University, Montreal.] October 6, 1967. Page 6. (announcement of reading)

“Poetry Readings”. Post-Grad. [Sir George Williams University, Montreal.] Spring 1967: page 20.

“SGWU To Have Poetry Series”. The Gazette. September 14, 1967: page 15. <http://news.google.com/newspapers?id=np8tAAAAIBAJ&sjid=PKAFAAAAIBAJ&pg=4195,2837932&dq=sir+george+williams+poetry&hl=en>.


Transcription and part of Print Catalogue by Rachel Kyne

Part of Catalogue, Introduction, Research and final edits by Celyn Harding-Jones


Howard Fink List:

Print catalogue page from archives contains the following information:

Title: Daryl Hine reading his own poetry
Date: December 1, 1969
Source:  one, two-track, 7” tape, 3 ¾, lasting 55 mins.

1. Title: "" | First line: “Be, at the end of your famous garden…”
2. Title: "" | First line: “The fox and the crow…”
3. Title: A Bewilderment of the Entrance of the Fat Boy into Eden | First line: “Not knowing…”
4.Title: The Double Door | First line: “All that I do is…”
5. Title: The Black Swan | First line: “Confused between the water and the air…”
6. Title: Ouija Board | First line: “The wood that they prefer to walk…”
7. Title: Bluebeard’s Wife | First line: “Impatiently she tampered with”
note inserted in archived print catalogue:
--between poems #7 and #8;  The Wave | First line: “Suddenly it was quiet as a Sunday”
8. Title: The Apology | First line: “The time machine”
9. Title: | First line: “There are too many hours in a day”
10. Title: "" | First line: “The price is fixed…”
11. Title: "" | First line: “X, in August…”
12. Title: "" | First line: “Brought up as I was…”
13.Title: The Trout | First line: “The water…”

Daryl Hine at SGWU, 1967

Catalog numberI006-11-158
LabelsFor this archived copy (I006-11-158)—label unknown. For copy I086-11-021: one, two-track, 7” tape, 3 ¾, lasting 55 mins.
Sound qualityVery Good
SpeakersIntroducer, unknown, female (Wynne Francis?); Daryl Hine ; Announcer, unknown, male
VenueArt Gallery
DateDec. 1, 1967

00:12- Unknown (female- perhaps Wynne Francis?) introduces Daryl Hine

02:11- Daryl Hine introduces “Four Fabulary Satires” part III.

02:48- Reads “Four Fabulary Satires” part III.

04:51- Introduces “Four Fabulary Satires” Part IV.

04:53- Reads “Four Fabulary Satires” Part IV.

06:56- Introduces “A Bewilderment at the Entrance of the Fat Boy into Eden”.

07:35- Reads “A Bewilderment at the Entrance of the Fat Boy into Eden”.

10:52- Introduces “The Doublegoer”.

11:41- Reads “The Doublegoer”.

16:31- Introduces “The Black Swan”.

17:12- Reads “The Black Swan”.

18:38- Introduces “The Ouija Board”.

20:15- Reads “The Ouija Board”.

21:54- Introduces “Bluebeard’s Wife”.

25:46- Reads “Bluebeards’ Wife”.

26:17- Reads “The Wave”.

31:01- Introduces “The Apology”.

31:56- Reads “The Apology”.

35:53- Introduces “The Marche aux puces and the Jardin des Plantes”.

36:53- Reads “The Marche aux Puces and the Jardins des Plantes”.

38:17- Introduces unknown poem, first line “The price is fixed...”.

38:42- Reads unknown poem, first line “The price is fixed...”.

40:18- Introduces “Clôture annuelle”.

40:57- Reads “Clôture annuelle”.

42:19- Introduces unknown poem, first line “Brought up as I was to judge the weather...”.

43:05- Begins to read “Brought up as I was to judge the weather...”.

43:10- Interrupts reading to read a different version.

43:18- Reads “Brought up as I was to ask of the weather...”.

45:03- Reads “Antaeus, when once separated from the ground...”.

46:12- Introduces “The Trout”.

46:50- Reads “The Trout”.

48:59- Unknown male announcer makes announcement of next reading